![]() According to Robert Jones, who half owned the park from 2003-2006, Rosie was never gutted, unlike most fish and taxidermy, and the body is as hard as a rock. This fate is all too common for sharks Oceana calls accidental catches from the fishing industry “ one of the biggest issues facing sharks today.” An artist took Rosie, preserved her body, and gave her to Wildlife Wonderland. The shark, a great white named “Rosie,” died in a tuna fishing net in 1998. The operator was evicted and he closed down the park, giving the animals to DSE and the RSPCA. According to some reports, the park didn’t have a license to display native animals, in violation of the Wildlife Act 1975. While the park in its heyday remains a fond memory for many who grew up in this area around Bass, Victoria, it closed in 2012. Many of the displays, signs, pictures, and games are still there, dilapidated and haunting. This wildlife park was once a popular attraction in Victoria, Australia called “Wildlife Wonderland.” It had live animals and a museum shaped like a 100-meter-long earthworm, along with educational displays and games. The shark that McPherson found is bigger, though. This is what remains of an enormous display of something like taxidermy, reminiscent of the artist Damien Hirst’s most famous piece. “It was just amazing that the shark tank was just in perfect condition,” he said. Luckily, he caught the discovery on camera. McPherson was filming for his Youtube channel, which focuses on the exploration of abandoned buildings. ![]() McPherson gasped as he could see the angular tail of a five-meter-long shark, long dead, a dark silhouette waiting silently against the green glow of sunlight. ![]() Now illuminated from behind, the animal inside the opaque fluid revealed itself. It wasn’t until he stepped behind the tank and turned to face it again that he saw what it held. Passing by the tank and continuing into the building, he saw scattered remnants of educational displays, trash, disused signs, and chairs. Berindei said.Luke McPherson was walking through a dark building in an abandoned wildlife park when he came across a huge tank of murky green liquid. “I don’t think we’re up to date on our tetanus shots,” Mr. Scrapes, cuts and bruises are not uncommon. They have encountered other hazards in their travels, including the toxic chemicals known as PCBs, lead paint and mercury (especially at former power plants) and mold, asbestos and pigeon droppings. Farther inside, a large chunk of concrete dangles precariously from the ceiling. They also visited a gigantic former power plant in Philadelphia that dates to 1925, a site they described as “extremely dangerous.”Ī video shows them gingerly walking across a narrow beam over a dark pit to gain access. Berindei have documented visits to former amusement parks, malls and hotels. “Now, it’s this thing and it’s not quite anything.” They don’t serve their former function, but they have not been razed or rehabilitated either, which makes them inherently interesting. Ullinger, an associate professor of anthropology at Quinnipiac University in Connecticut, described modern-day abandoned sites as “liminal,” or in-between spaces. Christopher said documenting abandoned sites dates to at least Piranesi, the 18th-century artist who sketched Roman ruins. “A lot of the time, it’s pretty incredible some of the stuff that gets left behind.” “It’s a much more tangible way to connect to history than going to a museum and taking a preplanned tour,” Mr. For instance, he said, during a visit to a former state hospital in Iowa, he found an orbitoclast, a device once used in lobotomies, in a cabinet. In his work, artifacts from bygone eras are not encased in glass or roped off but are instead readily accessible. Scavello said he was drawn to photographing former psychiatric hospitals, which he described as “overlooked and undervalued” because of the stigma attached to mental illness. Since then, the movement has grown into a large, loose-knit network that includes teenagers up to septuagenarians. Drew Scavello, the creator of Truth In Destruction, which photographically chronicles abandoned places, said that when he started urban exploring in 2007, a small number of people were focused on sites in Boston, Detroit and Philadelphia.
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